My Sony F5 is almost the perfect camera for what I do. It's a versatile, cine-style camera that produces a beautiful 4K picture with very high dynamic range, but also works well for run and gun work. For lenses, I use a combo of Zeiss primes and assorted EF zooms.
I spend a lot of time on the road or in the air, so I try to keep my gear as compact as possible. For example, I often use my stabilized 4K DJI Osmo Pro camera instead of a bulky jib or dolly. I also save time by shooting LED's or small HMI's through collapsible diffusion to create large, soft sources that are lightweight and quick to set, move and strike.
The rest of my kit includes best-in-class gear from Litepanels, Dracast, K5600/Joker, ARRI, Chrosziel, Anton/Bauer, SmallHD, Lectrosonics, Sachtler and Dana Dolly. A small selection of C-stands, booms, silks, bounce, flags and other standard grip round out a very effective package.
Rates and terms:
I bid each job individually based on what and where it is. My rate always includes my standard F5 camera package, which includes basic lighting and sound. Sound operator, additional gear and rentals (if needed) media drives and shipping are extra. Multi-day and half-day rates available. Call for an estimate.
Rates based on a 5 (half) or 10 hour day, portal to portal. Payment terms: Net 30.