My 4K Sony F5 is professional cine-style camera, but also works well for run and gun work. It's state of the art and carefully equipped to be lightweight and efficient. For lenses, I use a combo of Zeiss primes and assorted EF mount zooms that collectively cover 11-300mm.
I'm usually on the road or in the air and often work solo, so every piece of gear I own is specifically selected to keep us moving while providing a great look. For example, I find I can often use my stabilized 4K Osmo Pro X5 camera instead of a traditional jib or dolly, saving time setting up, moving and striking bulky gear. I also save time by shooting powerful but compact LED's or small HMI's through collapsible diffusion to create large, soft sources that are lightweight and set up and move quickly.
Time is money, and little things like that can mean less time schlepping, more time shooting. And more shots are always a good thing.
Lighting includes the latest generation of bicolor, high output/high CRI LED's by Litepanels and Dracast, HMI's by K5600/Joker, and tungsten sources by ARRI. SmallHD monitors, dual-channel Lectrosonics SR digital hybrid mics/links, Sachtler support, Dana Dolly and a small kit of C-stands, booms, silks, bounce, flags and other standard grip round out the package.
Rates and terms:
I bid each job individually based on what and where it is. My rate always includes my entire gear package. Additional rental gear (if needed) media drives and shipping billed at my cost. Multi-day and half-day rates available. Call for an estimate.
*Rates based on a 10 hour day, portal to portal. Payment terms: Net 30.