My 4K Sony F5 is professional cine-style camera, but also works well for run and gun work. It's state of the art and carefully equipped to be lightweight and efficient. For lenses, I use a combo of Zeiss primes and assorted EF mount zooms that collectively cover 11-200mm.
Every piece of gear is selected to keep us moving while providing a great look. For example, I find I can often use my stabilized 4K DJI Osmo Pro X5 camera instead of a traditional jib or dolly, saving time setting up, moving and striking bulky gear. I also save time by shooting powerful, compact LED's or small HMI's through collapsible diffusion to create large, soft sources that are lightweight, quick to set up and move quickly. Time is money, and little things like that mean less time schlepping, more time shooting.
The rest of my kit includes best-in-class gear from Litepanels, Dracast, K5600/Joker, ARRI, Chrosziel, Anton/Bauer, SmallHD, Lectrosonics, Sachtler and Dana Dolly. A small selection of C-stands, booms, silks, bounce, flags and other standard grip round out a very effective and travel-efficient package.
Rates and terms:
I bid each job individually based on what and where it is. My rate always includes my standard single F5 camera package, which includes basic lighting and sound. Sound operator, additional gear and rentals (if needed) media drives and shipping are extra. Multi-day and half-day rates available. Call for an estimate.
*Rates based on a 10 hour day, portal to portal. Payment terms: Net 30.